Beata Orosz (Hungarian)
Silver Lining
Oil on canvas
100 cm x 75 cm
Provenance: Direct from the artist’s studio, United Kingdom
Beata Orosz – Silver Lining
£5,250.00
In stock
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Biography
Beata was born and raised in a Hungarian family in Komarno, a beautiful and historic town in Slovakia. After studying fashion design Beata went on to study interior design in Budapest, Hungary. Upon moving to England in 1999 to further develop her career, she continued in her pursuit of excellence, graduating with first-class honours from the School of Architecture, Design and the Built Environment at Nottingham Trent University.
Beata has demonstrated an artistic talent and flair throughout her formative years with an absolute passion for drawing and painting that is evident in her ability to create timeless works of art.
Working professionally as an Architectural Designer, Beata has continued to immerse herself in her true passion for creativity with work that is expressive, emotional and in every way unique. Regularly addressing commissioned works of art, Beata has worked for a range of clients
from private collectors to Art Galleries on an exclusive basis, where her eye for detail and Architectural appreciation compliment her work, and ensured she became a best selling Artist.
“I will always push my own personal creative boundaries to a point where my skills align and evolve.” Beata Orosz
Artwork Description
Beata Orosz implements a pallete knife technique to how she applies paint to the canvas. This application is exact in its structure mirroring Orosz roots in architecture. Contrasting these sharp lines are clusters of droplets raining down the canvas. Orosz uses a silvered grey across her background as well in her droplets however she highlights these delicate drops by fading her grey structured brush strokes into a bright white, pushing the grey droplets to the foreground. There is a soft quality to this piece, it feels icy and calm as though you are watching the drops slowly fall in real time. Orosz us of tone and contrast is used so beautifully throughout the painting. Even-though there is only the use of three main colours, being silvered grey, white and accents of blue, the painting as a whole feels hopeful, avoiding a darkness.
